Matter’s anatomy is composed of 50 reliefs and four sculptures that are displayed at the Centro de las Artes de San Luis Potosí, the exhibition addresses the physical autonomy and the aesthetics of the materials by establishing a strong. tension between them and seeks to involve the viewer to experience this forces of tension.
Anatomía de la materia está compuesta por 50 relieves y cuatro esculturas que se presentan en el Centro de las Artes de San Luis Potosí, la exposición aborda la autonomía física y estética de los materiales estableciendo una fuerte tensión entre ellos y buscando involucrar al espectador a experimentar estas fuerzas de tensión.
Tangible Silence, in this exhibition that is presented at the Federico Silva Contemporary Sculpture Museum, the mural Natural dialogues is presented in the Eduardo Chillida room, a piece that was presented for the first time at the Shanghai Universal Fair in 2010, its purpose is to address the relationship between silence and nature. Parallel on the […]
Silencio Tangible, en esta exhibición que se presenta en el Museo Federico Silva Escultura Contemporánea se presenta en la sala Eduardo Chillida el mural Diálogos naturales, pieza que se presentó por primera vez en la feria universal de Shangai en 201, la obra aborda la relación entre el silencio y la naturaleza. De manera paralela […]
The Instituto Cultural Cabañas exhibits from november 2017 the monumental sculpture installation “You”. This piece was edisplayed for the first time in 2015 at the emblematic Trafalgar Square, London, United Kingdom, and in the beginning of 2017 at the Macro Plaza in Monterrey, Nuevo León. This piece was conceived to question the complex concept […]
El Instituto Cultural Cabañas exhibe desde noviembre de 2017 la instalación escultórica monumental “Tú”. Esta obra se presentó por primera vez en 2015 en Trafalgar Square, Londres, Reino Unido y a principios de 2017 en la Macro Plaza de Monterrey, Nuevo León.
Our Silences is an itinerant sculpture created to make us reflect on the importance of free speech and self-censorship. It intends to incite an intimate dialogue with the spectator on one of the most fundamental human rights and, at the same time, to establish a symbolic interchange with the places where it is shown.
This serie of reliefs focuses mainly on a cycle of relations between play and death.
El juego y la muerte han estado estrechamente unidos en la historia humana. En algunas ocasiones el juego permite entender o aceptar la muerte sin que intermedie el dolor; en otras lo lúdico implica correr riesgos que terminan en la muerte y el dolor. De esta forma se establece un ciclo entre ambas prácticas.
The piece address the transformation of matter through fire as a metaphor for the transformation of knowledge through experience.
Roots is a monumental intervention in the urban space which connected buildings, museums, squares, and archeological sites in the very heart of Mexico City. This work intervened the historical memory of public spaces and shows how society from different times has conceived differently that same space.
This series delves into the ambivalent relationship between play and danger, the work consists of a set of reliefs composed of incinerated wood and small explosives of popular use in Mexico called “palomas”. This piece is built with newspaper clippings whose selection serves the symbolic power of its contents printed: photographs, drawings, words, letters and numbers. These images are intervened in turn with drawings in Chinese ink to make a playful and ironic critique establishing a symbolic game by deciphering the relationships that establish some images with others.
Tras Rivelino is a documentary by Guillermo Piñon produced in 2011 by channel 22, the cultural channel of Mexico, the film is not only a chronicle of the Raíces intervention, it also shows different facets of the artist.
Tittle: Collective Suicide I
Size: 38 x 14 x 3.5 cm
High Temperature Ceramic and Copper, 20013
2013
The work is a visual metaphor of the incessant process of destruction and reconstruction of society. Collective suicide symbolizes the persistence of a community that coexists, grows, celebrates and destroys itself through the action and interdependence of those who make it up.
«Individual memory» is a conceptual metaphor of the human experience.
Each human being explores the world as an individual from birth, until death, and this interaction with the environment leaves indelible signs and marks that little by little shape the character of people.
After remaining two years out of public, Our Silences was presented for the first time in the American Union in January 2015, with the support of the Mexican Ministry of Foreign Affairs. The city of San Diego was chosen as the first exhibition venue.
Some of the projects that are developed at the Mexico City studio take years to become a solid public exhibition, this project will be exhibited in 2018.
www.mexiam.net
The artwork was conceived to question the difficult concept of equality. The monumental white sculpture is made of bronze and is located in two places: physical space and memory.
In the physical space, the You interacts with its surroundings and triggers all kinds of reactions in the spectators, who relate to it physically. In the realm of imagination, it captures the meaning of pointing at the other, of being equal and different at the same time. What is the real meaning of equality?
The sculptor Rivelino will be in charge of closing this first edition of Obra en Obra with his intervention entitled ¿El ejército de quién?, made with 10,000 gold-colored soldiers who establish symbolic relations between the figures that are formed with them and the situations in which they were placed, around other objects also symbolic. The artist has drawn a series of long lines that relate to each other and to these figures, establishing a kind of connection with the activities performed by the armies in the world.